Lighting designer with over a decade of experience in sustainable and aesthetic lighting solutions for residential and commercial spaces.
Picture the following: a smiling the Danish striker in a Napoli shirt. Now, juxtapose it with a dejected the Slovenian forward in a Manchester United kit, appearing like he just missed an open goal. Don't worry finding a real picture of him missing; background information is your adversary. Now, add some goal stats in a large, comical font. Remember some emoticons. Post it across all platforms.
Will you point out that Højlund's goal count includes scores in the premier European competition while his counterpart isn't playing in continental tournaments? Of course not. And will you note that several of Højlund's goals came against Belarus and Greece, or that Denmark is much stronger to Sesko's Slovenia and generates many more chances. If you manage social media for a major brand, raw engagement is your livelihood, Manchester United are the biggest draw, and context is your sworn enemy.
So the cycle of online material spins. The next job is to scan a lengthy podcast with Peter Schmeichel and find the part where he describes the acquisition of Sesko "weird". Just before, where he prefaces his remarks by saying, "I have nothing bad to say about Benjamin Sesko"... yes, cut that. Nobody needs that. Just make sure "weird" and "the player" are paired in the headline. People will be outraged.
Mid-autumn has traditionally one of my preferred times to observe football. Leaves fall, winds shift, the teams and tactics are still fresh, all is novel and yet patterns are emerging. The stars of the season ahead are staking their claims. The transfer window is closed. Nobody is mentioning the quadruple yet. Everyone are in contention. At this precise point, anything is possible.
However, for many of the same reasons, mid-autumn has also been one of my least favourite times to consume news on football. Because although no outcomes are decided, something must always be getting settled. Jack Grealish is resurgent. The German talent has been a crushing disappointment. Is Antoine Semenyo the top performer in the league right now? We need an answer immediately.
And for numerous reasons, Sesko feels like Patient Zero in this respect, a player caught between football's two countervailing, unavoidable forces. The imperative to delay final conclusions, to let layers of technical texture and tactical sophistication to develop. And the demand to generate permanent verdicts, a conveyor belt of opinions and jokes, out-of-context criticisms and meaningless contrasts, a square that can never truly be solved.
It is not my aim to provide a in-depth analysis of Sesko's stint at United so far. He has been in the lineup on four occasions in the Premier League in a highly unpredictable team, found the net twice, and taken a mere of 116 touches. What precisely are we analysing? And do I propose to replicate the pundits' notable debate "The Sesko Debate", in which two of England's leading pundits argue passionately on a podcast over whether Sesko needs ten strikes to be a success this season (one pundit), or whether it is more like 12 or 13 (Wright).
Despite this I loved watching Sesko at his former club: a big, screeching racing car of a forward, playing in a team pitched perfectly to his abilities: given the freedom to rampage but also the leeway to fail. Partly this is why United feels like the cruellest place he could possibly be right now: a place where "harsh judgments" are handed down in about the time it takes to load a short advertisement, the club with the largest and most pitiless gulf between the time and air he needs, and the time and air he is going to get.
We saw a case of this over the national team pause, when a widely shared chart handily informed us that the player had been judged – decisively – the poorest acquisition of the recent market by a survey of 20 agents. Naturally, the media are by no means alone in this. Team social media, online personalities, unidentified profiles with a oddly high number of pornbot followers: all parties with skin in the game is now basically aligned along the identical rules, an ecosystem explicitly geared for provocation.
Endless scrolling and tapping. What is happening to us? Are we aware, on any level, what this endless stream of aggravation is doing to our brains? Quite apart from the inherent strangeness of being a player in the middle of it all, aware on some surreal chain-reaction level that every single thing about them is now basically content, product, public property to be repackaged and exchanged.
Indeed, in part this is because United are United, the corpse that continues to feed the narrative, a big club that must always be producing the big feelings. But also, partly this is a temporary malaise, a pendulum of judgment most visibly and cruelly observed at this season, about a month after the window has closed. All summer long we have been desiring footballers, praising them, drooling over them. Yet, only a handful of games later, a lot of those very players are already being disdained as broken goods. Is it time to be concerned about a new signing? Did Arsenal actually need Viktor Gyökeres necessary? What was the point of another expensive buy?
It feels appropriate that he meets Liverpool on Sunday: a team simultaneously 13 months unbeaten at home in the league and yet in their own state of perceived turmoil, like submitting a a report on a person who went to the shops half an hour ago. Too open. Mohamed Salah finished. Alexander Isak waste of money. The coach losing his hair.
Maybe we have not yet quite grasped the way the storyline of football has begun to supplant football the actual game, to influence the way we view it, an whole competition repivoted around talking points and immediate responses, an activity that occurs in the backdrop while we browse through our devices, unable to detach from the constant flow of opinions and more takes. It may be this player taking the hit right now. However, we're all losing a part of the experience here.
Lighting designer with over a decade of experience in sustainable and aesthetic lighting solutions for residential and commercial spaces.