Lighting designer with over a decade of experience in sustainable and aesthetic lighting solutions for residential and commercial spaces.
The real-life crime genre has an innovative format, or perhaps even a completely fresh vocabulary and grammar: officer-worn camera recordings. Faces of victims, observers and possible perpetrators loom up to the cameras, at times in the harsh glare of vehicle beams or torches as the police arrive, their expressions and tones eloquent of wariness or fear or anger or suspiciously contrived innocence. And we frequently catch sight of the faces of the law enforcement personnel, one standing by blankly while the other conducts the inquiry with what occasionally seems like extraordinary diffidence – though perhaps this is because they know they are being recorded.
We have previously seen the Netflix true-crime documentary American Murder: Gabby Petito, about the slaying of an social media personality by her boyfriend, whose primary focus was officer recordings and in which, as in this film, the law enforcement seemed surprisingly lenient with the suspect. There is also Bill Morrison’s Oscar-nominated short Incident, composed entirely of body cam film. Now comes Geeta Gandbhir’s documentary about the grim case of a Florida mother in Ocala, Florida, a African American woman whose children allegedly harassed and tormented her neighbor, a local resident. In 2023, after an escalating series of neighbour-dispute incidents in which the police were summoned multiple times, the accused fatally shot Owens through her locked door, when Owens went to Lorincz’s house to confront her about throwing objects at her children.
The arresting officers found proof that Lorincz had done online research into the state's self-defense statutes, which permit residents and others to shoot if there is a significant presumption of danger. The documentary constructs its narrative with the body cam footage generated during the repeated police visits to the scene before the shooting, and then at the disturbing and disordered crime scene itself – introduced by emergency call recordings of the caller calling the police in a melodramatically shaky voice. There is also police cell footage of the individual which has a disturbing, unsettling appeal.
The documentary does not really suggest anything too complex about Lorincz, or any mitigating factors. She is clearly unstable, although the kids are heard calling her a derogatory term, an ugly jibe. The film is presented as an illustration of how self-defense regulations generate unnecessary and heartbreaking violence. But the reality of gun ownership and the second amendment (that historic American constitutional privilege that a deceased pundit notoriously said made firearm fatalities a price worth paying) is not much highlighted.
It is feasible to watch the officer questioning segments here and feel surprised at how little interest the police took in this aspect. When did she buy her gun? Did she receive any instruction on handling it? Had she ever had occasion to fire it before? Where did she store it in the house? Was it just on the couch, loaded and ready? The police aren’t shown asking any of these surely relevant questions (though they could have inquired in footage that were not included). Or is possessing a firearm so commonplace it would be like asking about microwaves or toasters?
For what appeared to her neighbors a extended period, Lorincz was not even arrested and charged, only detained and even provided accommodation away from home for the night (another parallel, by the way, with the Gabby Petito case). And when she was finally officially taken into custody in the detention area, there is an remarkable scene in which Lorincz simply refuses to stand, refuses to put her wrists out for the cuffs, not hostilely, but with the politely self-pitying air of someone whose mental health means that she is unable to comply. Had the kid-gloves treatment up until that point led her to think that this could be effective?
It didn’t; and the panel's decision is revealed in the end titles. A very sombre picture of American crime and punishment.
Lighting designer with over a decade of experience in sustainable and aesthetic lighting solutions for residential and commercial spaces.